Superman’s new mission: to make the world “a bit nicer”
Might Lex Luthor be Elon Musk? Could Boravia be Russia? Or is it Israel? The latest DC superhero reboot isn’t quite sure.
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David Sexton
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Cinema’s apex predator
The Australian survival thriller Dangerous Animals is a long-overdue corrective to the sharks-as-man-eater genre.
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Wes Anderson’s sense of an ending
Unlike his mannered recent films, The Phoenician Scheme has both style and story.
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Mission: Impossible 8 – the return of the sexless show-off
The Final Reckoning exists only to serve the ego of cinema’s supposedly great daredevil, Tom Cruise.
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The complicity of Leni Riefenstahl
The late film-maker insisted she was only an observer of the Nazi regime. A new documentary suggests otherwise.
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Paolo Sorrentino’s Parthenope is an exercise in the male gaze
The Italian director’s latest film is all beauty and no sense.
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The Return examines Odysseus’s last act
Ralph Fiennes plays the hero as a warrior shamed by his deeds and suffering from PTSD.
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Sebastian is a refreshingly authentic exploration of sex work
This film by Mikko Mäkelä makes the likes of Good Luck to You, Leo Grande and Anora seem artificial.
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Joshua Oppenheimer’s surreal apocalyptic musical The End
This strange film, starring Tilda Swinton, satirises our collective delusion in the face of the climate crisis.
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